A little background is required on this one. back in the eighties a local Minneapolis attorney started a comic strip featuring a working mom as its main character. Relevent and tapping into the decade's zeitgeist it was entitled SALLY FORTH (get it?). Problem was the artwork was not that great. Now anyone who's ever tried to launch a comic strip is told, it's not the art but the ideas and writing that makes a strip sell. And true, the strip was popular enough but it was always needed an artistic upgrade. It could only help.
So when my best buddy Steve Burbidge's mom, who was friends with Greg Howard who created and drew the strip, informed me he was looking for a "wrist" to do the drawing as he continued to do the writing I jumped at the chance. An established comic strip? Produced right there in the Twin Cities?! I quickly did a bunch of samples, re-drawing panels of his strips and met with the guy... only to learn he WAS NOT, in fact, looking for a "wrist". He was very, very nice and while his art was admittedly sub-par, he figured he'd never get better if he stopped. Ironically enough a half decade later Howard turned the drawing chores over to an editorial artist at the Minneaplois Star Tribune... who employed his own cartooning skills in bodily proportions and movement... but retained the originator's balloon-ish, dot-eyed heads. As years passed I wondered if I had been full of myself, thinking I was a better cartoonist than the creator of a successful strip. Then I came across this in my files...
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